Detalhe do Produto

CD

ASCENSEUR POUR L'ECHAFAUD (DLX)

MILES DAVIS

USA

Preço: R$ 160,78

Prazo de postagem: Normalmente 29 dia(s)     Índice de atendimento: 90%

ASCENSEUR POUR L'ECHAFAUD (DLX)-MILES DAVIS

Ficha Técnica

  • Label: VERVE
  • Número de Catálogo: 5381858
  • Categoria: Musica Popular
  • Sub-categoria: JAZZ
  • Data de Lançamento: 22/06/2018
  • Código de Barras: 60075381858

Detalhes

    • DISCO TRILHA NOME
    • 01 01 Générique
    • 01 10 Chez le photographe du motel
    • 01 02 L'assassinat de Carala
    • 01 03 Sur l'autoroute
    • 01 04 Julien dans l'ascenseur
    • 01 05 Florence sur les Champs - Élysées
    • 01 06 Dîner au motel
    • 01 07 Évasion de Julien
    • 01 08 Visite du vigile
    • 01 09 Au bar du Petit Bac
    • 02 01 Nuit sur les Champs - Élysées
    • 02 10 Final
    • 02 11 Final
    • 02 12 L'interrogatoire de Julien
    • 02 13 Évasion de Julien
    • 02 14 Le petit bal
    • 02 15 Le petit bal
    • 02 16 Séquence voiture
    • 02 17 Séquence voiture
    • 02 02 Nuit sur les Champs - Élysées
    • 02 03 Nuit sur les Champs - Élysées
    • 02 04 Nuit sur les Champs - Élysées
    • 02 05 Assassinat
    • 02 06 Assassinat
    • 02 07 Assassinat
    • 02 08 Dîner au motel
    • 02 09 Final

  • Observações:
    Deluxe two CD edition including bonus material. Digitally remastered. Miles Davis' Ascenseur pour l'échafaud - Elevator to the Gallows - is without a doubt a landmark in the trumpeter’s discography but also in the history of soundtracks. The themes improvised during the legendary recording session made in Paris have now become standards in jazz and keep on fascinating new generations of listeners. Ascenseur pour l'échafaud was recorded at Le Poste Parisien Studio in Paris on December 4 and 5, 1957. The album features the musical cues for the 1958 Louis Malle film Ascenseur pour l'échafaud. Davis was booked to perform at the Club Saint-Germain in Paris for November 1957. On December 4, he brought his four sidemen to the recording studio without having had them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room, and, once the plot was explained, the band improvised without any precomposed theme, while edited loops of the musically relevant film sequences were projected in the background.
 

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